When it comes to creating a visually stunning and cost-effective film, the importance of pre-visualization (pre-vis) cannot be overstated. It’s a practice that’s often emphasized in film school but is rarely implemented in the world of low-budget, independent productions. Yet, for those filmmakers who take the time to storyboard and create animatics, the benefits are immeasurable.

This week’s featured artist is two-time Emmy-nominated art director, motion graphics animator and digital artist, Penelope Nederlander!

Dive deep into the world of animation and visual effects with Ivy Vale, a first-time filmmaker whose stage musical "Out of My Comfort Zone" made a remarkable leap to the big screen.

George Moïse brings a wealth of knowledge and experience as an On Set VFX Supervisor. From his early fascination with 80s movies to mastering his craft through self-teaching and hands-on experience, George’s story is a testament to perseverance.

Meet Jason Milligan, a versatile designer, motion graphic artist, and VFX specialist whose journey from the suburbs of Baton Rouge to the bustling streets of Los Angeles is a testament to creativity and resilience…

Breaking down your screenplay to identify visual effects is a crucial step in the filmmaking process. By doing so, you can save both time and money, ensuring that your vision comes to life as smoothly as possible.

In this interview, I had the pleasure of speaking with Grant, an insanely talented motion graphics and visual effects artist with an unconventional and inspiring journey…

In the world of independent filmmaking, where budgets are tight and resources limited, the ability to balance creative vision with practical constraints is a vital skill…

Join me as I recreate a classic VFX shot from The Empire Strikes Back with Blender and After Effects!